In the workshop new making and restoration give each other form.

Making new instruments helps you understand the creation of old instruments better.

Restoration forms your understanding and style for making new instruments.

Making instruments ready to play is essential for the musician. In restoration, repair and in making new instruments. It determines the first contact a player has with his instrument.

In my work I assume that I can only achieve quality if my tools do what I have in mind.
When I use a chisel, whether it is to give form to a new violin or for repair, then I can only get beautiful lines and shapes if the chisel is razor-sharp and I can guide it.
It is razor-sharp if I know how to make it razor-sharp and also if the quality of the steel is such to permit this and retain it.

In my profession I have chosen chisels that can do this.

Similarly, the musician can only achieve what he has in mind if the instruments co-operates in all respects.

You can choose if you allow yourself this.

You and the listener feel and hear that.

Optimalizing the qualities of an instrument is the result of a long and professional training, knowledge and technique, learnt and handed over in prestigious workshops.
I made this choice. And in my work I assume you have also done this.

Eduard Wemelsfelder offers you the opportunity to find an instrument that suits you and fulfils your expectations and wishes. Whether you are an enthusiastic amateur or a performing professional.
In addition to the possibility of a new instrument there is also a selection of older instruments and several study instruments.